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The Voice

الصوت

Portrait of Sliman Mansour
Wiki Palestine, CC BY-SA 3.0, via Wikimedia Commons · Source file on Wikimedia Commons for “Portrait of Sliman Mansour”
Artist1947–· 1 min read

Sliman Mansour

سليمان منصور

Painter

Palestinian painter whose images of porters, peasants, and olive trees made him a founding figure of contemporary Palestinian art.

paintingJerusalemintifadavisual art

Sliman Mansour was born in 1947 in Birzeit and studied fine art at the Bezalel Academy in Jerusalem. A founding member of the League of Palestinian Artists and of the al-Wasiti Art Center in Jerusalem, he has spent five decades building the institutions of Palestinian visual art as well as his own body of work. His paintings return to a handful of enduring subjects — the land, the olive tree, the peasant, Jerusalem carried on an old man’s back.

His 1973 painting Jamal al-Mahamel (Camel of Hardship), showing a porter bowed beneath the weight of the Old City, became one of the most reproduced images in Palestinian art. During the first intifada, Mansour and fellow artists of the “New Visions” group boycotted Israeli art supplies and turned instead to local materials — mud, henna, natural dyes — making the boycott itself part of the work. He lives and works in Jerusalem, and his paintings are held in collections including Mathaf in Doha and the Barjeel Art Foundation.

Selected works

  • Jamal al-Mahamel (Camel of Hardship) (1973)
  • “New Visions” material experiments during the first intifada
  • Recent series on exhaustion, anticipation, and loss

Sources

Further reading

An external biography or archive holding more on this life than the entry above.

slimanmansour.com — about the artist sliman mansour(opens in a new tab)https://slimanmansour.com/about-the-artist-sliman-mansour/

Connected in the archive

12 connected records

12 records elsewhere in the archive are linked to this one, each by a piece of evidence you can read below.

names this person — 3 records

One record names the other. A pointer for reading, not a claim that they belong to each other.

  • What a People MadeExhibitions

    Evidence — From a recorded field in this archive: End with the painter. Porters, peasants and olive trees — the images that taught contemporary Palestinian art what its subject was.

  • The WatermelonCulture

    Evidence — Inferred from the text — read the evidence: In 1980 the Israeli army shut down Gallery 79 in Ramallah — founded by the painter Issam Bader — which was showing work by Sliman Mansour, Bader and Nabil Anani that used the flag's colours.

  • Vera Tamariفيرا تماريFiguresCeramicist, installation artist, and art historian · 1945–

    Evidence — Inferred from the text — read the evidence: She was a founding member of the League of Palestinian Artists in 1973 and, in 1987, of the New Visions group with Tayseer Barakat, Sliman Mansour, and Nabil Anani, whose members pledged to work only in locally found materials rather than buy Israeli art supplies.

named in this record — 1 record

One record names the other. A pointer for reading, not a claim that they belong to each other.

on a related subject — 8 records

Filed near each other — the same Mandate district, or the same uncommon subject tags.

Cite this page

Every claim above carries its sources — citation is the point.

Chicago
“Sliman Mansour.” Figures, FALASTEEN.AI. Accessed 22 August 2026. https://falasteen.ai/figures/sliman-mansour.
MLA
“Sliman Mansour.” Figures, FALASTEEN.AI, 2026, https://falasteen.ai/figures/sliman-mansour. Accessed 22 August 2026.
BibTeX
@misc{falasteen-sliman-mansour, title = {Sliman Mansour}, howpublished = {\url{https://falasteen.ai/figures/sliman-mansour}}, organization = {FALASTEEN.AI — A Living Archive for Palestine}, year = {2026}, note = {Accessed 2026-08-22} }