{
  "version": "https://jsonfeed.org/version/1.1",
  "title": "FALASTEEN.AI — Poems",
  "description": "Palestinian poetry held in the archive, in Arabic and English, with the poet, the year and the source of each text.",
  "home_page_url": "https://falasteen.ai/poems",
  "feed_url": "https://falasteen.ai/feeds/poems.json",
  "language": "en",
  "icon": "https://falasteen.ai/icon-key-512.png",
  "favicon": "https://falasteen.ai/favicon-key.svg",
  "authors": [
    {
      "name": "FALASTEEN.AI",
      "url": "https://falasteen.ai/"
    }
  ],
  "_falasteen": {
    "licence": "Free to read, quote and cite. Attribution to FALASTEEN.AI required.",
    "attribution": "FALASTEEN.AI — A Living Archive for Palestine (https://falasteen.ai)",
    "manifest": "https://falasteen.ai/api/index.json",
    "rss": "https://falasteen.ai/feeds/poems.xml",
    "count": 33
  },
  "items": [
    {
      "id": "https://falasteen.ai/poems/hamza/",
      "url": "https://falasteen.ai/poems/hamza/",
      "title": "Hamza — Fadwa Touqan",
      "content_text": "A man from Touqan's own town, ordinary as bread, tells her in the years after 1967 to be patient and not to weaken — the land, he says, will remain alive and will not die.",
      "summary": "A man from Touqan's own town, ordinary as bread, tells her in the years after 1967 to be patient and not to weaken — the land, he says, will remain alive and will not die.",
      "_falasteen": {
        "arabicTitle": "حمزة",
        "poet": "Fadwa Touqan",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/revenge/",
      "url": "https://falasteen.ai/poems/revenge/",
      "title": "Revenge — Taha Muhammad Ali",
      "content_text": "A poem that spends its whole length imagining a duel with the man who killed the poet's father — and then dismantles the duel, one relative at a time, until nothing is left to kill.",
      "summary": "A poem that spends its whole length imagining a duel with the man who killed the poet's father — and then dismantles the duel, one relative at a time, until nothing is left to kill.",
      "_falasteen": {
        "poet": "Taha Muhammad Ali",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/the-martyr/",
      "url": "https://falasteen.ai/poems/the-martyr/",
      "title": "The Martyr — Abd al-Rahim Mahmoud",
      "content_text": "Written by a schoolteacher in his twenties who was killed in battle eleven years later — the poem that earned Abd al-Rahim Mahmoud the name 'the martyr poet.'",
      "summary": "Written by a schoolteacher in his twenties who was killed in battle eleven years later — the poem that earned Abd al-Rahim Mahmoud the name 'the martyr poet.'",
      "_falasteen": {
        "arabicTitle": "الشهيد",
        "poet": "Abd al-Rahim Mahmoud",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/travel-tickets/",
      "url": "https://falasteen.ai/poems/travel-tickets/",
      "title": "Travel Tickets — Samih al-Qasim",
      "content_text": "A short poem addressed to the man who will kill him: search my pockets, you will find tickets — to peace, to the fields and the rain, to the conscience of humankind. Don't waste them.",
      "summary": "A short poem addressed to the man who will kill him: search my pockets, you will find tickets — to peace, to the fields and the rain, to the conscience of humankind. Don't waste them.",
      "_falasteen": {
        "arabicTitle": "تذاكر سفر",
        "poet": "Samih al-Qasim",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/without-a-passport/",
      "url": "https://falasteen.ai/poems/without-a-passport/",
      "title": "Without a Passport — Rashid Hussein",
      "content_text": "Born without a passport, the poet watches his country turn into prisons — and answers by planting a country, a sun, and wheat inside every house.",
      "summary": "Born without a passport, the poet watches his country turn into prisons — and answers by planting a country, a sun, and wheat inside every house.",
      "_falasteen": {
        "poet": "Rashid Hussein",
        "theme": "exile"
      }
    },
    {
      "id": "https://falasteen.ai/poems/i-grant-you-refuge/",
      "url": "https://falasteen.ai/poems/i-grant-you-refuge/",
      "title": "I Grant You Refuge — Hiba Abu Nada",
      "content_text": "One of Hiba Abu Nada's final poems, written on 10 October 2023: an invocation that tries to shelter children, parents, streets, houses, and oranges inside language.",
      "summary": "One of Hiba Abu Nada's final poems, written on 10 October 2023: an invocation that tries to shelter children, parents, streets, houses, and oranges inside language.",
      "date_published": "2023-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Hiba Abu Nada",
        "year": "2023",
        "theme": "hope"
      }
    },
    {
      "id": "https://falasteen.ai/poems/if-i-must-die/",
      "url": "https://falasteen.ai/poems/if-i-must-die/",
      "title": "If I Must Die — Refaat Alareer",
      "content_text": "Written in 2011 and shared again weeks before an Israeli airstrike killed him in December 2023, Alareer's final poem became a global testament — a request to be remembered as a story, and a kite, bringing hope.",
      "summary": "Written in 2011 and shared again weeks before an Israeli airstrike killed him in December 2023, Alareer's final poem became a global testament — a request to be remembered as a story, and a kite, bringing hope.",
      "date_published": "2023-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Refaat Alareer",
        "year": "2023",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/on-a-starless-night/",
      "url": "https://falasteen.ai/poems/on-a-starless-night/",
      "title": "On a Starless Night — Mosab Abu Toha",
      "content_text": "A bombing night in Gaza: the neighbor's house lies 'like an old carpet on the floor of the earth' — and the poem becomes the only place the small facts of a destroyed household survive.",
      "summary": "A bombing night in Gaza: the neighbor's house lies 'like an old carpet on the floor of the earth' — and the poem becomes the only place the small facts of a destroyed household survive.",
      "date_published": "2022-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Mosab Abu Toha",
        "year": "2022",
        "theme": "memory"
      }
    },
    {
      "id": "https://falasteen.ai/poems/things-you-may-find-hidden-in-my-ear/",
      "url": "https://falasteen.ai/poems/things-you-may-find-hidden-in-my-ear/",
      "title": "Things You May Find Hidden in My Ear — Mosab Abu Toha",
      "content_text": "Addressing the surgeon who opens his ear, Abu Toha catalogs what is stored inside — his mother's voice, songs, and the sounds of drones and bombs — memory as an archive that must be put back in order.",
      "summary": "Addressing the surgeon who opens his ear, Abu Toha catalogs what is stored inside — his mother's voice, songs, and the sounds of drones and bombs — memory as an archive that must be put back in order.",
      "date_published": "2022-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Mosab Abu Toha",
        "year": "2022",
        "theme": "memory"
      }
    },
    {
      "id": "https://falasteen.ai/poems/al-youm/",
      "url": "https://falasteen.ai/poems/al-youm/",
      "title": "Searching for a Palestinian Necropastoral (Eve) — George Abraham",
      "content_text": "A search for origins along an American river and a mother's breath — Abraham rewrites the pastoral as a Palestinian form, where to arrive at a landscape is to have a past to run from.",
      "summary": "A search for origins along an American river and a mother's breath — Abraham rewrites the pastoral as a Palestinian form, where to arrive at a landscape is to have a past to run from.",
      "date_published": "2021-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "George Abraham",
        "year": "2021",
        "theme": "memory"
      }
    },
    {
      "id": "https://falasteen.ai/poems/spoiler/",
      "url": "https://falasteen.ai/poems/spoiler/",
      "title": "Spoiler — Hala Alyan",
      "content_text": "A poem that begins with a diagnosis of fear and ends as an instruction for living: whatever you build will be ruined, so make it beautiful.",
      "summary": "A poem that begins with a diagnosis of fear and ends as an instruction for living: whatever you build will be ruined, so make it beautiful.",
      "date_published": "2020-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Hala Alyan",
        "year": "2020",
        "theme": "memory"
      }
    },
    {
      "id": "https://falasteen.ai/poems/morning-song/",
      "url": "https://falasteen.ai/poems/morning-song/",
      "title": "Morning Song — Naomi Shihab Nye",
      "content_text": "Written for Janna Jihad, the child who began documenting occupation with her mother's phone at age seven: the 'tiny journalist' sees everything — and 'she's bigger than you are.'",
      "summary": "Written for Janna Jihad, the child who began documenting occupation with her mother's phone at age seven: the 'tiny journalist' sees everything — and 'she's bigger than you are.'",
      "date_published": "2019-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Naomi Shihab Nye",
        "year": "2019",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/resist-my-people/",
      "url": "https://falasteen.ai/poems/resist-my-people/",
      "title": "Resist, My People, Resist Them — Dareen Tatour",
      "content_text": "The poem that put a poet on trial: posted online in October 2015, it led to Tatour's arrest, conviction, and imprisonment — before an Israeli court ruled on appeal that the poem was not a crime.",
      "summary": "The poem that put a poet on trial: posted online in October 2015, it led to Tatour's arrest, conviction, and imprisonment — before an Israeli court ruled on appeal that the poem was not a crime.",
      "date_published": "2015-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "قاوم يا شعبي قاومهم",
        "poet": "Dareen Tatour",
        "year": "2015",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/i-cant-attend/",
      "url": "https://falasteen.ai/poems/i-cant-attend/",
      "title": "I Can't Attend — Ghayath al-Madhoun",
      "content_text": "The exile's litany of excuses: a Palestinian poet safe in Stockholm explains — with black humor and survivor's guilt — why the road between his poem and Damascus is cut off.",
      "summary": "The exile's litany of excuses: a Palestinian poet safe in Stockholm explains — with black humor and survivor's guilt — why the road between his poem and Damascus is cut off.",
      "date_published": "2014-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "لا أستطيع الحضور",
        "poet": "Ghayath al-Madhoun",
        "year": "2014",
        "theme": "exile"
      }
    },
    {
      "id": "https://falasteen.ai/poems/running-orders/",
      "url": "https://falasteen.ai/poems/running-orders/",
      "title": "Running Orders — Lena Khalaf Tuffaha",
      "content_text": "Written during Israel's 2014 assault on Gaza, Tuffaha's poem answers the phone call no one should receive — the one that says your house is next — and asks what courtesy means in a prison by the sea.",
      "summary": "Written during Israel's 2014 assault on Gaza, Tuffaha's poem answers the phone call no one should receive — the one that says your house is next — and asks what courtesy means in a prison by the sea.",
      "date_published": "2014-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Lena Khalaf Tuffaha",
        "year": "2014",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/sleeping-in-gaza/",
      "url": "https://falasteen.ai/poems/sleeping-in-gaza/",
      "title": "Sleeping in Gaza — Najwan Darwish",
      "content_text": "Darwish addresses the Portuguese fado and proposes to sleep the way people sleep when the shells are falling — a poem about exhaustion rather than defiance.",
      "summary": "Darwish addresses the Portuguese fado and proposes to sleep the way people sleep when the shells are falling — a poem about exhaustion rather than defiance.",
      "date_published": "2014-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Najwan Darwish",
        "year": "2014",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/my-mother/",
      "url": "https://falasteen.ai/poems/my-mother/",
      "title": "Mom — Refaat Alareer",
      "content_text": "A miniature portrait of a mother's face, where every line holds a book, a hope, a love — Alareer's tender counterpoint to the poetry of siege.",
      "summary": "A miniature portrait of a mother's face, where every line holds a book, a hope, a love — Alareer's tender counterpoint to the poetry of siege.",
      "date_published": "2012-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Refaat Alareer",
        "year": "2012",
        "theme": "love"
      }
    },
    {
      "id": "https://falasteen.ai/poems/we-teach-life/",
      "url": "https://falasteen.ai/poems/we-teach-life/",
      "title": "We Teach Life, Sir — Rafeef Ziadah",
      "content_text": "Ziadah's answer to a journalist who asked if Palestinians would 'just stop teaching their children to hate' — a spoken-word poem that became one of the most shared performances of Palestinian poetry ever recorded.",
      "summary": "Ziadah's answer to a journalist who asked if Palestinians would 'just stop teaching their children to hate' — a spoken-word poem that became one of the most shared performances of Palestinian poetry ever recorded.",
      "date_published": "2011-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Rafeef Ziadah",
        "year": "2011",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/break-cluster/",
      "url": "https://falasteen.ai/poems/break-cluster/",
      "title": "break (clustered) — Suheir Hammad",
      "content_text": "From breaking poems — Hammad's hip-hop-fused book of war, women, and survival — a meditation on cluster munitions and what they leave behind: do not fear what has blown up; fear the unexploded.",
      "summary": "From breaking poems — Hammad's hip-hop-fused book of war, women, and survival — a meditation on cluster munitions and what they leave behind: do not fear what has blown up; fear the unexploded.",
      "date_published": "2008-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Suheir Hammad",
        "year": "2008",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/gate-a-4/",
      "url": "https://falasteen.ai/poems/gate-a-4/",
      "title": "Gate A-4 — Naomi Shihab Nye",
      "content_text": "At an airport gate, Arabic, a Palestinian embroidered dress, ma'amoul, and a carried plant turn fear between strangers into a temporary shared world.",
      "summary": "At an airport gate, Arabic, a Palestinian embroidered dress, ma'amoul, and a carried plant turn fear between strangers into a temporary shared world.",
      "date_published": "2008-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Naomi Shihab Nye",
        "year": "2008",
        "theme": "hope"
      }
    },
    {
      "id": "https://falasteen.ai/poems/in-jerusalem/",
      "url": "https://falasteen.ai/poems/in-jerusalem/",
      "title": "In Jerusalem — Mahmoud Darwish",
      "content_text": "Darwish walks the Old City from one epoch into another without a memory to guide him — a poem in which prophets share a history and the walker is left asking who he is.",
      "summary": "Darwish walks the Old City from one epoch into another without a memory to guide him — a poem in which prophets share a history and the walker is left asking who he is.",
      "date_published": "2007-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "في القدس",
        "poet": "Mahmoud Darwish",
        "year": "2007",
        "theme": "memory"
      }
    },
    {
      "id": "https://falasteen.ai/poems/midnight/",
      "url": "https://falasteen.ai/poems/midnight/",
      "title": "Midnight — Mourid Barghouti",
      "content_text": "Barghouti's book-length poem keeps a man awake on New Year's Eve as memory, war, and grief pour through his window — and still insists that he was born for joy.",
      "summary": "Barghouti's book-length poem keeps a man awake on New Year's Eve as memory, war, and grief pour through his window — and still insists that he was born for joy.",
      "date_published": "2005-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "منتصف الليل",
        "poet": "Mourid Barghouti",
        "year": "2005",
        "theme": "exile"
      }
    },
    {
      "id": "https://falasteen.ai/poems/blood/",
      "url": "https://falasteen.ai/poems/blood/",
      "title": "Blood — Naomi Shihab Nye",
      "content_text": "Nye remembers her Palestinian father through the small parables he passed down — and asks what a 'true Arab' can do when the headlines themselves clot in the blood.",
      "summary": "Nye remembers her Palestinian father through the small parables he passed down — and asks what a 'true Arab' can do when the headlines themselves clot in the blood.",
      "date_published": "1995-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Naomi Shihab Nye",
        "year": "1995",
        "theme": "memory"
      }
    },
    {
      "id": "https://falasteen.ai/poems/on-this-earth/",
      "url": "https://falasteen.ai/poems/on-this-earth/",
      "title": "On This Earth — Mahmoud Darwish",
      "content_text": "A litany of small, ordinary reasons to live — bread at dawn, grass on a stone — that ends by naming Palestine as the Lady of Earth and declaring 'I deserve life.'",
      "summary": "A litany of small, ordinary reasons to live — bread at dawn, grass on a stone — that ends by naming Palestine as the Lady of Earth and declaring 'I deserve life.'",
      "date_published": "1986-01-01T00:00:00.000Z",
      "_falasteen": {
        "poet": "Mahmoud Darwish",
        "year": "1986",
        "theme": "love"
      }
    },
    {
      "id": "https://falasteen.ai/poems/enough-for-me/",
      "url": "https://falasteen.ai/poems/enough-for-me/",
      "title": "Enough for Me — Fadwa Touqan",
      "content_text": "Touqan's brief late poem asks for one thing only — to die on her country's soil and remain there as dust, grass, and a flower. Its lines are carved on her gravestone in Nablus.",
      "summary": "Touqan's brief late poem asks for one thing only — to die on her country's soil and remain there as dust, grass, and a flower. Its lines are carved on her gravestone in Nablus.",
      "date_published": "1985-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "كفاني",
        "poet": "Fadwa Touqan",
        "year": "1985",
        "theme": "homeland"
      }
    },
    {
      "id": "https://falasteen.ai/poems/enemy-of-the-sun/",
      "url": "https://falasteen.ai/poems/enemy-of-the-sun/",
      "title": "Enemy of the Sun — Samih al-Qasim",
      "content_text": "Al-Qasim's defiant refrain — 'I shall not compromise... I shall resist' — traveled far beyond Palestine: a handwritten copy was found among George Jackson's prison books.",
      "summary": "Al-Qasim's defiant refrain — 'I shall not compromise... I shall resist' — traveled far beyond Palestine: a handwritten copy was found among George Jackson's prison books.",
      "date_published": "1970-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "عدو الشمس",
        "poet": "Samih al-Qasim",
        "year": "1970",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/here-we-will-stay/",
      "url": "https://falasteen.ai/poems/here-we-will-stay/",
      "title": "Here We Will Stay — Tawfiq Ziyad",
      "content_text": "The anthem of Palestinian steadfastness: Ziyad vows that those who remained in Lidda, Ramla, and the Galilee will stay 'like a wall upon your chest' — rooted, working, and unerasable.",
      "summary": "The anthem of Palestinian steadfastness: Ziyad vows that those who remained in Lidda, Ramla, and the Galilee will stay 'like a wall upon your chest' — rooted, working, and unerasable.",
      "date_published": "1966-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "هنا باقون",
        "poet": "Tawfiq Ziyad",
        "year": "1966",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/i-call-to-you/",
      "url": "https://falasteen.ai/poems/i-call-to-you/",
      "title": "I Call to You — Tawfiq Ziyad",
      "content_text": "Ziyad's pledge to his homeland and his people: orphaned, naked and barefoot, he has carried his blood in his palm and never lowered his flag.",
      "summary": "Ziyad's pledge to his homeland and his people: orphaned, naked and barefoot, he has carried his blood in his palm and never lowered his flag.",
      "date_published": "1966-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "أناديكم",
        "poet": "Tawfiq Ziyad",
        "year": "1966",
        "theme": "homeland"
      }
    },
    {
      "id": "https://falasteen.ai/poems/to-my-mother/",
      "url": "https://falasteen.ai/poems/to-my-mother/",
      "title": "To My Mother — Mahmoud Darwish",
      "content_text": "Written from an Israeli prison as a letter of longing for his mother's bread, coffee, and touch — later sung by Marcel Khalife, it became one of the most beloved poems in the Arab world.",
      "summary": "Written from an Israeli prison as a letter of longing for his mother's bread, coffee, and touch — later sung by Marcel Khalife, it became one of the most beloved poems in the Arab world.",
      "date_published": "1965-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "إلى أمي",
        "poet": "Mahmoud Darwish",
        "year": "1965",
        "theme": "love"
      }
    },
    {
      "id": "https://falasteen.ai/poems/identity-card/",
      "url": "https://falasteen.ai/poems/identity-card/",
      "title": "Identity Card — Mahmoud Darwish",
      "content_text": "Darwish's most famous early poem turned an ID number into defiance: its refrain 'Record! I am an Arab' made the young poet famous overnight and remains one of the most quoted lines in modern Arabic poetry.",
      "summary": "Darwish's most famous early poem turned an ID number into defiance: its refrain 'Record! I am an Arab' made the young poet famous overnight and remains one of the most quoted lines in modern Arabic poetry.",
      "date_published": "1964-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "بطاقة هوية",
        "poet": "Mahmoud Darwish",
        "year": "1964",
        "theme": "resistance"
      }
    },
    {
      "id": "https://falasteen.ai/poems/mawtini/",
      "url": "https://falasteen.ai/poems/mawtini/",
      "title": "Mawtini — Ibrahim Tuqan",
      "content_text": "The verse that became Palestine's unofficial anthem — sung at demonstrations and funerals for ninety years, and adopted as the national anthem of Iraq in 2004.",
      "summary": "The verse that became Palestine's unofficial anthem — sung at demonstrations and funerals for ninety years, and adopted as the national anthem of Iraq in 2004.",
      "date_published": "1934-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "موطني",
        "poet": "Ibrahim Tuqan",
        "year": "1934",
        "theme": "homeland"
      }
    },
    {
      "id": "https://falasteen.ai/poems/min-sijn-akka/",
      "url": "https://falasteen.ai/poems/min-sijn-akka/",
      "title": "From Acre Prison — Traditional — sung by Firqat al-ʿAshiqin",
      "content_text": "The funeral song for Fuad Hijazi, Muhammad Jamjoum and Atta al-Zir, hanged by the British at Acre prison on 17 June 1930. It went out with their funerals and never stopped being sung — in the camps, at commemorations, and inside the prisons.",
      "summary": "The funeral song for Fuad Hijazi, Muhammad Jamjoum and Atta al-Zir, hanged by the British at Acre prison on 17 June 1930. It went out with their funerals and never stopped being sung — in the camps, at commemorations, and inside the prisons.",
      "date_published": "1930-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "من سجن عكا",
        "poet": "Traditional — sung by Firqat al-ʿAshiqin",
        "year": "1930",
        "theme": "grief"
      }
    },
    {
      "id": "https://falasteen.ai/poems/red-tuesday-tuqan/",
      "url": "https://falasteen.ai/poems/red-tuesday-tuqan/",
      "title": "Red Tuesday — Ibrahim Tuqan",
      "content_text": "Ibrahim Tuqan's elegy for Fuad Hijazi, Muhammad Jamjoum and Atta al-Zir, hanged at Acre prison on 17 June 1930. It gave the day the name Palestinians have used ever since, and it is built as three hours — one for each man.",
      "summary": "Ibrahim Tuqan's elegy for Fuad Hijazi, Muhammad Jamjoum and Atta al-Zir, hanged at Acre prison on 17 June 1930. It gave the day the name Palestinians have used ever since, and it is built as three hours — one for each man.",
      "date_published": "1930-01-01T00:00:00.000Z",
      "_falasteen": {
        "arabicTitle": "الثلاثاء الحمراء",
        "poet": "Ibrahim Tuqan",
        "year": "1930",
        "theme": "grief"
      }
    }
  ]
}